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Sofía Lanusse (b.1985, Buenos Aires) is professional in the arts and curator based in Paris. In 2020 she co-founded Espacio Temporal, an independent and non-profit project dedicated to fostering dialogues between contemporary artistic practices from Latin America, the Caribbean, and Europe. From 2021 to 2025 she served as the Director of The Outsider Art Fair in New York and a Board member of the European Outsider Art Association. Prior to her arrival in France, she worked as Head of Relations at ARTBO (2015-2018) in Bogota, Colombia and VIP relations at Arteba (2010-2014) in Buenos Aires, Argentina. She has curated several exhibitions across New York, Paris and Madrid. 

Diogo Pinto (Lisbon) is an artist, curator and writer based in Basel. He is driven by the elasticity of contemporary artistic practices, focusing on artists who have operated in unconventional scenarios. Recently, he has presented projects at der TANK, suns.works, Dietikon Projektraum, Galerias Municipais, MONITOR Gallery, Faltpavillon, Spirit Shop, June Art Fair, Ausstellungsraum Klingental, Kunsthalle Palazzo, and Kunsthaus Baselland. He was co-director and co-founder of the exhibition project Ascensor (2018-2020) and is currently part of the curatorial team at Plattform.

Cosmin Costinas (b. 1982, Romania) is a curator and writer based in Hong Kong. He is the Co-Artistic Director of the 9th Yokohama Triennial. He was the Senior Curator of Exhibition Practices at the Haus der Kulturen der Welt, HKW, Berlin (2022-2025); Co-Artistic Director of the 24th Biennale of Sydney (2024); Director of Para Site, Hong Kong (2011-2022); Artistic Director of Kathmandu Triennale 2077 (2022); co-curator of the Romanian Pavilion at the 59th Venice Biennale (2022); Guest Curator of Dakar Biennale 2018; Guest Curator at the Dhaka Art Summit (2018); Co-curator of the 10th Shanghai Biennale (2014); Curator of BAK, Utrecht (2008-2011); Co-curator of the 1st Ural Industrial Biennial, Ekaterinburg (2010); and Editor of documenta 12 magazines, Vienna/Kassel (2005–2007). He has also guest curated numerous exhibitions at institutions around the world and has edited and contributed his writing to numerous books, magazines, and exhibition catalogs and has taught and lectured at different universities and institutions.

Cosmin Costinas (b. 1982, Satu Mare, Romania) is a curator and writer based in Hong Kong. He is the Co-Artistic Director of the 9th Yokohama Triennial. He was the Senior Curator of Exhibition Practices at the Haus der Kulturen der Welt, HKW, Berlin (2022-2025); Co-Artistic Director of the 24th Biennale of Sydney (2024); Director of Para Site, Hong Kong (2011-2022); Artistic Director of Kathmandu Triennale 2077 (2022); co-curator of the Romanian Pavilion at the 59th Venice Biennale (2022); Guest Curator of Dakar Biennale (2018); Guest Curator at the Dhaka Art Summit (2018); Co-curator of the 10th Shanghai Biennale (2014); Curator of BAK-basis voor actuele kunst, Utrecht (2008-2011); Co-curator of the 1st Ural Industrial Biennial, Ekaterinburg (2010); and Editor of documenta 12 magazines, Vienna/Kassel (2005–2007).

At HKW, Costinas curated or co-curated exhibitions such as: ‘Global Fascisms’ (2025); 'Musafiri. Of Travellers and Guests' (2025); ‘As Though We Hid the Sun in a Sea of Stories’ (2023), a.o. At Para Site, Costinas oversaw the institution’s major expansion and relocation to a new home in 2015, and curated or co-curated exhibitions such as: ‘Garden of Six Seasons’ (2020);  ‘Koloa: Women, Art, and Technology’ (touring at Nuku’alofa, Tonga and Artspace Aotearoa, Auckland, 2019-2020); ‘An Opera of Animals’ (touring at Rockbund Art Museum, 2019); ‘A beast, a god, and a line’ (touring at Dhaka Art Summit ‘18, TS1/The Secretariat, Yangon, Museum of Modern Art in Warsaw, and Kunsthall Trondheim, MAIIAM Contemporary Art Museum, Chiang Mai, 2018-2020; ‘Movements at an Exhibition, Manuel Pelmus’ (2017-2018); ‘Soil and Stones, Souls and Songs’ (touring at MCAD, Manila and Jim Thompson Art Center, Bangkok, 2016-2017); ‘Afterwork’ (touring at ILHAM, Kuala Lumpur, 2016-2017); ‘The World is Our Home. A Poem on Abstraction’ (2015-2016); ‘Sheela Gowda’ (2015); the conference ‘Is the Living Body the Last Thing Left Alive? The new performance turn, its histories and its institutions’ (2014; the homonymous major volume of original essays was published in 2017 with Sternberg Press, Berlin); ‘Great Crescent: Art and Agitation in the 1960s—Japan, South Korea, and Taiwan’ (touring at the Mori Art Museum, Tokyo, 2013-2015 and MUAC, Mexico City, 2016); ‘A Journal of the Plague Year’ (touring at The Cube, Taipei; Arko Art Center, Seoul; and Kadist Art Foundation and The Lab, San Francisco; 2013-2015); ‘Taiping Tianguo, A History of Possible Encounters: Ai Weiwei, Frog King Kwok, Tehching Hsieh, and Martin Wong in New York’ (touring at SALT, Istanbul; NUS Museum, Singapore; e-flux, New York; 2012-2014), a.o. At BAK, he curated ‘Spacecraft Icarus 13. Narratives of Progress from Elsewhere’ (2011), as well as solos exhibitions of Olga Chernysheva’ (2011), Rabih Mroue (2010, touring at Iniva - Institute of International Visual Arts, London, Lunds konsthall, Lund; tranzit+display, Prague; and Wurttembergischer Kunstverein Stuttgart, 2011), Boris Charmatz’ (2010), and Mona Vatamanu and Florin Tudor (2009), as well as the ‘1st Former West Congress’ (with Maria Hlavajova, 2009). 

He has also guest curated numerous exhibitions at institutions around the world and has edited and contributed his writing to numerous books, magazines, and exhibition catalogs and has taught and lectured at different universities and institutions.