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About Maison Mesa
Mesa has over 30 years of experience in fashion design and styling, having worked for major brands such as Angel Schlesser, Agatha Ruiz de la Prada, Jesus del Pozo, Cortefiel, Blanco, Harper's Baazar, as well as collaborating with companies such as Induyco and Inditex, among many others. Since 2017 he runs his eponymous couture house Maison Mesa, receiving awards such as LÔreal Paris for Best Couture of Madrid, Hoy Magazine Best Designer of the Year Award, Spanish Runway Trajectory Award and Alegria de Vivir Award to the best haute couture designer.
He has participated in national and international catwalks, twenty-five years have gone by his first fashion show at the Cibeles catwalk, where he has continued to present collections until today, showing in catwalks such as Carrousel du Louvre in Paris, Milan and New York Fashion Week, not to mention various national and international fashion weeks, including China, Colombia, Mexico, Germany, Sri Lanka, Moscow, Switzerland, Albania, Georgia, Romania and a very long etc. being currently the godfather of the Costa Rica Fashion Week and Latin American Catwalk.
Mesa has not only been dedicated to collection design, but also to all kinds of industrial and artistic product design, such as glasses, shoes, scarves, handbags, piercings, snowboards, hats, jewelry, scenography, music, DJ sessions, casting, styling or the design of ballet, theater, advertising, cinema, opera, exhibitions and installations, as well as teaching and lecturing.
Líneas de la colección
“LAST DANCE AT THE GRAND HOTEL”
Maison Mesa presents Last Dance at the Grand Hotel, its Spring/Summer 2027 collection, to be unveiled at the cloister of Universidad Nebrija during Mercedes-Benz Fashion Week Madrid.
Conceived as an entire night unfolding through a fashion show, the collection explores the emotional beauty of human encounters, lived glamour, and the sense of freedom that emerges when conventions begin to dissolve.
Inspired by the cinematic atmosphere of Europe’s grand hotels, endless celebrations and all- night dance marathons, Last Dance at the Grand Hotel draws emotional references from They Shoot Horses, Don’t They? and from the iconic visual universe created by David Bowie and Jean-Baptiste Mondino for Never Let Me Down: exhausted bodies that refuse to stop dancing, decadent sensuality, nocturnal romance, and a deeply human sense of beauty.
The collection unfolds as a narrative, evolving from the composed elegance of the evening’s opening moments to a more intimate, vulnerable and emotional beauty as dawn approaches.
Maison Mesa’s signature architectural language is reinterpreted through a softer and more fluid vision of the body. Throughout the show, silhouettes evolve like the passing hours of a single night: from the sharp, geometric tailoring of the “check-in”, through refined cocktail dresses and eveningwear, to lighter, more relaxed looks inspired by the quiet emotional aftermath of celebration.
The collection embraces a visual language where coexist in perfect balance:
- Contemporary glamour,
- Emotional minimalism,
- Bauhaus-inspired geometry,
- Cinematic sensuality,
- and an inclusive vision of beauty
The visual identity of the project revolves around the idea of the Grand Hotel as a fictional universe. The official invitation takes the form of a reimagined hotel key card, interpreted through a contemporary minimalist graphic language inspired by modernist luxury hotels and the geometric purity of the Bauhaus movement.
More than depicting the end of a celebration, Last Dance at the Grand Hotel captures the moment when appearances fade away and only the emotional truth of those who shared the night remains.
For one evening, Maison Mesa transforms the cloister of Universidad Nebrija into an imaginary hotel suspended somewhere between desire, memory and daybreak.